The Surprising Philosophical Sophistication of the Cave Paintings of Lascaux - What Paleolithic Man Can Teach the Neandertal Elites in Our Mainstream Universities
ART AND CULTURE
I am reposting this for the benefit of most of my subscribers who joined after this was posted. This is the final repost - from this time forward, it will all be original material!
Here are paintings from Lascaux in Dordogne, southwest France, east of Bordeaux. Around 600 paintings exist in a network of underground caverns, which are estimated to have been painted about 15,000 years ago, which makes them from the Upper Palaeolithic period, archaeologists tell us. They were discovered in 1940 by an 18-year-old boy taking his dog for a walk when the dog wandered into a hole in the ground leading to the cavern system. The paintings depict animals, plants, and one humanoid form—a man with a bird's head. Although the exact reason for their creation is unknown, it is speculated that they hold some spiritual significance and are connected to ritualized worship.
The idea that these paintings are linked to religious rituals is likely speculative but strikes me as reasonable. Traditional Catholic teaching tells us that man's desire for God is natural. Although Paleolithic man would likely have had a dim and somewhat distorted sense of what God is like, it would have been as natural for Paleolithic society to develop and express this desire for what they did know of Him through worship as for any human being. This being the case, it is also natural for them to desire to create images that help connect them with a higher being or beings in the context of their worship.
The Natural Desire for God
The generally accepted view amongst theologians today is, as I understand it, that man’s desire for God is natural but not innate.1 There is an important distinction here. It is considered natural because it arises from the power of natural reason. However, it is not innate, meaning that the inclination to worship God is not an instinct we are born with. This inclination arises instead from our observation and reflection upon the nature of the world around us.
When they observe the world and see its vastness, beauty, order, and grandeur, many different people have, over millennia, concluded that a divine being (or beings) created and orchestrates it and that any being capable of doing such a wonderful thing is greater than us and worthy of worship.
The powers of unaided human reason are limited, however. Thus, those without the benefit of Revelation will likely develop an incomplete, fractured or distorted picture of the deity. Through the power of natural reason alone, God will not be perceived, for example, as the one Triune God whom Christians know through knowledge of Christ and the gospel. Nevertheless, most societies, going back to the caveman, it seems, have been at least philosophically sophisticated enough to conceive of a higher form of existence than human life and have worshipped higher beings, often a series of pagan gods. Typically, this inspires artistic creation, and they create images of those gods representing their gods, which are a focus of their worship.
Some, even without Revelation, would get close to the truth. Ancient Greeks, like Socrates, Plato, Aristotle, and their successors, even deduced the existence of a single god or supreme Good—what one might call the 'god of the philosophers'. But these are exceptions. While, as St. Thomas tells us, it is theoretically possible to use natural reason alone to deduce the existence of a single, all-powerful, all-good, and all-loving God, most societies throughout history did not reach this conclusion. Typically, they fashioned false deities, and their forms of worship were flawed. Yet, at its core, for all that, such paganism is an expression, albeit imperfect, of man’s natural desire for God.
As we have stated, human reason is weak, and it is not a given that people can reflect upon the natural world and get as far, even, as concluding that there is a God or gods. Some fall at the first hurdle and reach the opposite conclusion. Accordingly, atheistic systems of thought have also arisen, often, although not always, as parallel streams of thought in predominantly religious societies and as a reaction to the religious mainstream. Even where there is no supernatural being posited in the core teachings of a system of thought, such as in Buddhism, supernatural and metaphysical elements do creep into their practices and beliefs informed by local cultures. In traditional Buddhist societies, there is mention of devas and spirits in their literature, and there are temples, which are places of quasi-religious activity such as chanting, meditation and the study of Buddhist texts. And this also inspires the creation of art - we see statues of the Buddha in Buddhist temples.
From the Christian point of view, the act of worshipping any false god is a misdirected participation in its ideal, which is the act of worshipping God as part of His Church. St. Thomas Aquinas considers this act of worshipping God to arise from a virtue, which he called the virtue of religion and which he believed was the highest virtue. The virtue of religion, as defined by St. Thomas, has the purpose of rendering God the worship due to Him as the source of all being and the principle of all government of things2.
As we have said, neither the desire for God nor the virtue of religion are instinctive. Therefore, it is not instinctive for us to worship anything. Both arise from the use of natural reason. However, even pre-historic man was capable of sophisticated rational thought, as evidenced by this art linked to his worship. It is one of the oddities of the modern age that so many people do not worship any god or gods and are, in this respect, one might argue, more primitive in their worldview than Upper Paleolithic man. We might describe the contemporary atheist materialist, somewhat mischievously perhaps, as philosophically sub-Paleolithic!
As followers of Christ, we are privileged to have the gift of Revelation. God has revealed Himself to us in the person of Christ, who established the Church and the patterns of authentic worship in the liturgy. To be a practising Christian is not a sign of philosophical sophistication - though philosophically sophisticated some may be - but of an openness to the gift of faith.
The same may be said about the use of art in worship. Through his Church, Christ has informed us that the veneration of sacred art, which portrays the person of Christ, the Mother of God, and the saints, is not merely allowed but is an essential part of our worship and the practice of our faith3. This understanding helps us discern that even the simplest artistic depictions of divinity, as shown here, are a natural and wise anticipation of what God would later reveal to us personally and through His Church.
Education and Propaganda
Education and formation can cultivate this natural desire for God and help direct it to its proper end: Christian worship. This supernatural end is the prime goal of all sound education. Pope Benedict spoke of this and the need for good catechesis for initiates in the faith, young and old. He also spoke of the need for a continuing formation in right worship after the rites of initiation, which he termed mystagogical catechesis directed to a deepening of the mysteries of the Faith. This would include teaching people to understand and value sacred art and venerate holy images appropriately.
Conversely, external influences can erase or misdirect that natural desire for God. One of the sad facts of contemporary society is that much of contemporary education is anti-Christian propaganda and is at the heart of the ‘sub-Paleolithic’ contemporary mainstream in this regard. We see the propagation of atheist Marxist ideologies through the schools and universities and the cultural institutions of Western culture such as Hollywood. Marxists typically seek to eradicate any inclination toward ritual or veneration of the divine as part of their mission to destroy the West as we know it. The very act of worship implies, at the very least, the existence of the metaphysical—a notion antithetical to their atheistic, materialist philosophies. However, these ideologies do require complete subservience to, if not actual worship of, the false god of the state, so undermining human freedom and stifling our chance of happiness by exercising that freedom in the pursuit of God.
Even the Marxists realised the importance of art in this mission. To this end, Marxists have always engaged with the popular and intellectual culture; as part of their propaganda, they create images that further their goals.
and right worship….
Cf, The Natural Desire for God According to St Thomas and His Interpreters, by Lawrence Feingold, pub Sapientia Press Ave Maria Univ, 2004
Summa Theologiea, II-II, Q. l xxxi.
Cf, The Seventh Ecumenical Council, 787 AD.
